Arranged by Hannah Goodwin, this hip addition to our Laila Biali series features a driving soul groove with left-hand piano and bass pushing a solid eighth-note figure. Originally written for the UNT Jazz Singers to feature Biali as a guest artist, the arrangement primarily showcases a soprano or alto soloist.

The ensemble enjoys supportive writing with creative use of varied textures and voicing approaches, perfectly blending hip and dark modal harmonic writing from Biali. Goodwin’s arrangement captures these elements seamlessly, making for an engaging performance.

The chart ends with a surprising transition into a celebratory, almost gospel-influenced vamp, providing space for pop vocal improv. Hannah sings all of the SA parts on the demo, as well as the solo, and the UNT Jazz Singers rhythm section offers a beautiful accompaniment track. This piece will undoubtedly bring a dynamic and powerful energy to your program.